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Tetradrachm

Uitgever Uncertain Punic mint (Carthaginian Empire)
Jaar 345 BC - 315 BC
Type Log in om details te zien
Waarde Tetradrachm (4)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A spirited horse prances to the right before a tall palm tree, a emblematic device of Carthaginian coinage symbolizing the North African homeland. In the right field, a kerykeion (caduceus) is depicted, while above, Nike flies left to crown the horse with a wreath, conferring a martial or athletic victory symbolism common on Sicilian-influenced Punic issues. Below the horse's body appear two Punic letters, and in the left field the Greek letters ΣΩ serve as a control mark or mint notation. The reverse design reflects the strong Hellenistic artistic influence on Carthaginian silver coinage of the late fourth century BC.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde ΣΩ
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

These tetradrachms were struck at a Sicilian mint operating under Carthaginian control during a period of near-constant warfare with the Greek city-states of Sicily. The coins were almost certainly produced to pay mercenary troops — Carthage relied heavily on hired soldiers drawn from Libya, Iberia, Campania, and elsewhere, and coinage was the mechanism that held that polyglot military together. Without a pressing payroll need, Carthage had little tradition of striking silver coinage at all.

Jenkins' classification of this series remains the foundational reference, though attribution of individual dies continues to shift as new specimens surface from Sicilian hoards.

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