Tetradrachm

Emitent Ainos (Thrace)
Rok 431 BC - 429 BC
Typ Standard circulation coin
Hodnota Tetradrachm (4)
Měna Drachm
Složení Silver
Hmotnost 15.70 g
Průměr 24 mm
Tloušťka
Tvar Round (irregular)
Technika Hammered, Incuse
Orientace Variable alignment ↺
Rytci
V oběhu do
Reference May Ainos#114 , AMNG II#281 , BMC Greek#4 , CN type#2742
Popis líce Head of Hermes, left, wearing petasus.
Písmo líce
Opis líce
Popis rubu Goat standing right; labrys to right; all within incuse square.
Písmo rubu Greek
Opis rubu ΑΙΝ
Hrana
Mincovna
Náklad ND (431 BC - 429 BC) - -
ID Numisquare 7463829860
Další informace

Historical Context: This Tetradrachm from Ainos, Thrace, struck between 431 and 429 BC, emerges from the very outset of the Peloponnesian War. Ainos, a prosperous port city at the Hebros River mouth, maintained significant autonomy despite its Delian League membership. Its wealth derived from lucrative trade routes connecting the Aegean with the Thracian hinterland. The issuance of such substantial silver coinage underscores Ainos's economic strength and independent political standing during an era of escalating regional conflict.

Artistry: The coin exemplifies the refined Early to High Classical Greek style characteristic of Ainos's exceptional numismatic output. While engravers remain anonymous, the obverse masterfully depicts the head of Hermes facing right, distinguished by his iconic winged petasos. This rendering showcases a naturalistic yet idealized form, reflecting the artistic advancements of the period. The reverse features a standing he-goat, a symbol likely tied to local cults or agricultural prosperity, often accompanied by a small caduceus, executed with remarkable detail and anatomical precision.

Technical/Grading: Struck on a broad, well-prepared silver flan weighing 15.70 grams and measuring 24 millimeters, this Tetradrachm adheres to the Attic standard. Key high-points susceptible to wear include the highest folds of Hermes's petasos, his hair, and nose on the obverse. On the reverse, the goat's horns, back, and muscular hindquarters are typically the first areas to show flattening. A well-preserved example will exhibit a strong strike, good centering, and full detail on both motifs, reflecting expert die-cutting.

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