Catalogo
| Emittente | Terone |
|---|---|
| Anno | 490 BC - 480 BC |
| Tipo | Standard circulation coin |
| Valore | Tetradrachm (4) |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 16.66 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered, Incuse |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | AMNG III#9 |
| Descrizione del dritto | Wine-jug with two bunches of grapes at sides. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Quadripartite incuse square. |
| Scrittura del rovescio | Greek |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (490 BC - 480 BC) - - |
| ID Numisquare | 5712422330 |
| Informazioni aggiuntive |
Historical Context: This silver tetradrachm, struck by the city of Terone in Chalkidike between 490 and 480 BC, belongs to the critical Early Classical period. Terone, a prosperous Greek colony renowned for its viticulture, asserted its economic autonomy through this high-value coinage. Its issuance reflects the city's growing influence and participation in regional trade networks following the Persian Wars, a time when many Greek city-states began to mint their own distinctive currency to facilitate commerce and project their identity.
Artistry: The coin's design exemplifies the nascent Early Classical style, moving beyond Archaic stiffness towards greater naturalism. While the engraver remains anonymous, the artistry suggests a skilled local artisan. The obverse typically features a dynamic depiction of Dionysus, the god of wine, often riding a panther or ass, symbolizing Terone's chief export. The reverse commonly displays a prominent kantharos, a wine cup, further reinforcing the city's identity and prosperity. The composition is balanced, showcasing emerging anatomical understanding and narrative clarity.
Technical/Grading: Struck on a silver flan weighing 16.66 grams, consistent with the Attic standard, this tetradrachm exhibits robust metrological integrity. High-points susceptible to wear would include Dionysus's facial features, hair, and any drapery folds, as well as the kantharos's rim and handles. Early Classical strikes often show variability; a well-centered example with a strong, even strike would be highly prized. Die wear, minor flan imperfections, and slight off-centering are common for issues of this period, but a sharp strike ensures details are well-preserved.