Catálogo
| Emisor | Terone |
|---|---|
| Año | 490 BC - 480 BC |
| Tipo | Standard circulation coin |
| Valor | Tetradrachm (4) |
| Moneda | Drachm |
| Composición | Silver |
| Peso | 16.66 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered, Incuse |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | AMNG III#9 |
| Descripción del anverso | Wine-jug with two bunches of grapes at sides. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Quadripartite incuse square. |
| Escritura del reverso | Greek |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (490 BC - 480 BC) - - |
| ID de Numisquare | 5712422330 |
| Información adicional |
Historical Context: This silver tetradrachm, struck by the city of Terone in Chalkidike between 490 and 480 BC, belongs to the critical Early Classical period. Terone, a prosperous Greek colony renowned for its viticulture, asserted its economic autonomy through this high-value coinage. Its issuance reflects the city's growing influence and participation in regional trade networks following the Persian Wars, a time when many Greek city-states began to mint their own distinctive currency to facilitate commerce and project their identity.
Artistry: The coin's design exemplifies the nascent Early Classical style, moving beyond Archaic stiffness towards greater naturalism. While the engraver remains anonymous, the artistry suggests a skilled local artisan. The obverse typically features a dynamic depiction of Dionysus, the god of wine, often riding a panther or ass, symbolizing Terone's chief export. The reverse commonly displays a prominent kantharos, a wine cup, further reinforcing the city's identity and prosperity. The composition is balanced, showcasing emerging anatomical understanding and narrative clarity.
Technical/Grading: Struck on a silver flan weighing 16.66 grams, consistent with the Attic standard, this tetradrachm exhibits robust metrological integrity. High-points susceptible to wear would include Dionysus's facial features, hair, and any drapery folds, as well as the kantharos's rim and handles. Early Classical strikes often show variability; a well-centered example with a strong, even strike would be highly prized. Die wear, minor flan imperfections, and slight off-centering are common for issues of this period, but a sharp strike ensures details are well-preserved.