Tetradrachm

Emisor Terone
Año 490 BC - 480 BC
Tipo Standard circulation coin
Valor Tetradrachm (4)
Moneda Drachm
Composición Silver
Peso 16.66 g
Diámetro
Grosor
Forma Round (irregular)
Técnica Hammered, Incuse
Orientación
Grabador(es)
En circulación hasta
Referencia(s) AMNG III#9
Descripción del anverso Wine-jug with two bunches of grapes at sides.
Escritura del anverso
Leyenda del anverso
Descripción del reverso Quadripartite incuse square.
Escritura del reverso Greek
Leyenda del reverso
Canto
Casa de moneda
Tirada ND (490 BC - 480 BC) - -
ID de Numisquare 5712422330
Información adicional

Historical Context: This silver tetradrachm, struck by the city of Terone in Chalkidike between 490 and 480 BC, belongs to the critical Early Classical period. Terone, a prosperous Greek colony renowned for its viticulture, asserted its economic autonomy through this high-value coinage. Its issuance reflects the city's growing influence and participation in regional trade networks following the Persian Wars, a time when many Greek city-states began to mint their own distinctive currency to facilitate commerce and project their identity.

Artistry: The coin's design exemplifies the nascent Early Classical style, moving beyond Archaic stiffness towards greater naturalism. While the engraver remains anonymous, the artistry suggests a skilled local artisan. The obverse typically features a dynamic depiction of Dionysus, the god of wine, often riding a panther or ass, symbolizing Terone's chief export. The reverse commonly displays a prominent kantharos, a wine cup, further reinforcing the city's identity and prosperity. The composition is balanced, showcasing emerging anatomical understanding and narrative clarity.

Technical/Grading: Struck on a silver flan weighing 16.66 grams, consistent with the Attic standard, this tetradrachm exhibits robust metrological integrity. High-points susceptible to wear would include Dionysus's facial features, hair, and any drapery folds, as well as the kantharos's rim and handles. Early Classical strikes often show variability; a well-centered example with a strong, even strike would be highly prized. Die wear, minor flan imperfections, and slight off-centering are common for issues of this period, but a sharp strike ensures details are well-preserved.

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