Tetradrachm

Emitent Terone
Rok 490 BC - 480 BC
Typ Standard circulation coin
Nominał Tetradrachm (4)
Waluta Drachm
Skład Silver
Waga 16.66 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered, Incuse
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) AMNG III#9
Opis awersu Wine-jug with two bunches of grapes at sides.
Pismo awersu
Legenda awersu
Opis rewersu Quadripartite incuse square.
Pismo rewersu Greek
Legenda rewersu
Krawędź
Mennica
Nakład ND (490 BC - 480 BC) - -
ID Numisquare 5712422330
Dodatkowe informacje

Historical Context: This silver tetradrachm, struck by the city of Terone in Chalkidike between 490 and 480 BC, belongs to the critical Early Classical period. Terone, a prosperous Greek colony renowned for its viticulture, asserted its economic autonomy through this high-value coinage. Its issuance reflects the city's growing influence and participation in regional trade networks following the Persian Wars, a time when many Greek city-states began to mint their own distinctive currency to facilitate commerce and project their identity.

Artistry: The coin's design exemplifies the nascent Early Classical style, moving beyond Archaic stiffness towards greater naturalism. While the engraver remains anonymous, the artistry suggests a skilled local artisan. The obverse typically features a dynamic depiction of Dionysus, the god of wine, often riding a panther or ass, symbolizing Terone's chief export. The reverse commonly displays a prominent kantharos, a wine cup, further reinforcing the city's identity and prosperity. The composition is balanced, showcasing emerging anatomical understanding and narrative clarity.

Technical/Grading: Struck on a silver flan weighing 16.66 grams, consistent with the Attic standard, this tetradrachm exhibits robust metrological integrity. High-points susceptible to wear would include Dionysus's facial features, hair, and any drapery folds, as well as the kantharos's rim and handles. Early Classical strikes often show variability; a well-centered example with a strong, even strike would be highly prized. Die wear, minor flan imperfections, and slight off-centering are common for issues of this period, but a sharp strike ensures details are well-preserved.

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