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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Facing slightly right, the head of the nymph Arethusa is rendered in fine Early Classical style, her hair bound in a simple fillet and arranged in elegant waves; four dolphins swim around the portrait in the field, symbolizing the marine sanctuary of the nymph. The inscription ΣYPAKOΣION curves around the periphery, identifying the issuing city-state of Syracuse. The portrait displays the restrained naturalism and delicate linear treatment characteristic of pre-Kimon Syracusan die engraving. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | ΣYPAKOΣION |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
This issue falls within the earliest phase of Syracuse's democratic period, following the expulsion of Thrasybulus in 466 BC — the last of the Deinomenid tyrants. The transition from tyranny to democracy coincided with a deliberate shift in coin production, and the dies from this window show the Syracusan mint working through that stylistic evolution with unusual speed. Boehringer's sequencing places this type precisely in that transitional cluster.
The specific Boehringer 499 attribution is worth noting. It sits in a tightly documented die study that remains the authoritative sequence for early Syracusan tetradrachms of this generation.