Katalog
| Emittent | Motya |
|---|---|
| Jahr | 415 BC - 397 BC |
| Typ | Standard circulation coin |
| Nennwert | Tetradrachm (20) |
| Währung | Litra |
| Material | Silver |
| Gewicht | 17.11 g |
| Durchmesser | 24 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Jenkins P1#43 Greek#2 |
| Aversbeschreibung | Eagle standing to right, Punic legend `MTV` above. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Crab, fish below. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (415 BC - 397 BC) - - |
| Numisquare-ID | 2492947360 |
| Zusätzliche Informationen |
Historical Context: This silver tetradrachm, struck by the Phoenician city of Motya between 415 BC and 397 BC, represents a critical period in Sicilian history. Motya, a strategically vital trading port on Sicily's western coast, was a major Carthaginian ally during the escalating Sicilian Wars against the Greek cities, particularly Syracuse under Dionysius I. This coinage facilitated Motya's vibrant commerce and military expenditures during its final decades of prominence, before its catastrophic destruction by Dionysius in 397 BC, marking the end of its independent existence.
Artistry: While the specific engraver remains anonymous, this coin exemplifies the high classical style prevalent in Sicilian numismatic art of the late 5th and early 4th centuries BC. The obverse typically features a dynamic quadriga, often with a charioteer crowned by Nike, conveying speed and triumph. The reverse commonly displays a finely rendered head of a nymph, reminiscent of Arethusa, surrounded by dolphins, with the Phoenician legend 'M-T-W-A' (Motya). This blend of Greek iconography and Phoenician script underscores Motya's unique cultural position.
Technical/Grading: Weighing 17.11 grams and measuring 24 mm, this tetradrachm adheres to the Attic standard. Key high-points for wear and strike assessment include the horses' heads and legs on the obverse, and the nymph's hair, facial features, and diadem on the reverse. Well-struck examples exhibit sharp detail in the charioteer's drapery and the individual strands of the nymph's hair. Centering can vary, but strong strikes often present the full design within the flan, with minimal die wear evident.