Tetrachalkon - Mithridates VI

Emissor Amisos
Ano 85 BC - 65 BC
Tipo Standard circulation coin
Valor Tetrachalkon (1⁄12)
Moeda Drachm
Composição Bronze
Peso 5.7 g
Diâmetro 20 mm
Espessura 2 mm
Formato Round (irregular)
Técnica Hammered
Orientação Variable alignment ↺
Gravador(es)
Em circulação até
Referência(s) SNG BM Black Sea#1177-1191, GCV#3642
Descrição do anverso Gorgoneion on aegis (shield).
Escrita do anverso
Legenda do anverso
Descrição do reverso Nike advancing right, holding wreath and palm branch.
Escrita do reverso Greek
Legenda do reverso ΑΜΙ ΣΟΥ
(Translation: Amisos)
Bordo Rough
Casa da moeda
Tiragem ND (85 BC - 65 BC) - -
ID Numisquare 6381859760
Informações adicionais

Historical Context: This Tetrachalkon, issued by Amisos between 85 and 65 BC, places it squarely within the tumultuous Mithridatic Wars, marking King Mithridates VI Eupator's fierce resistance against Roman expansion. Amisos, a vital Pontic port and royal residence, was central to his kingdom. The continued production of bronze coinage like this tetrachalkon highlights Mithridates' assertion of sovereignty and economic stability, crucial for local commerce and military payments amidst his protracted struggle.

Artistry: The coin's design adheres to the classical Hellenistic artistic tradition favored by the Pontic kingdom. While engravers remain anonymous, the quality reflects a skilled mint workshop. Typical obverse types for this series feature a finely rendered head of Dionysus, wreathed with ivy, or sometimes Zeus. The reverse often displays symbols pertinent to Pontic cults or royalty, such as the cista mystica with a serpent emerging, or a star and crescent, executed with characteristic Hellenistic naturalism.

Technical/Grading: Struck on a bronze flan (5.7 grams, 20 mm), this tetrachalkon exhibits typical characteristics of ancient bronze issues. High-points, such as the hair and ivy wreath on the obverse or the cista's lid on the reverse, are often susceptible to wear or strike weakness. The flan, likely cast, may present minor irregularities. Centering and strike pressure varied, leading to areas of partial detail, though well-preserved examples reveal the underlying artistic intent.

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