Tetarteron Nomisma - Theodora

发行方 Byzantine Empire (Byzantine states)
年份 1055-1056
类型 Standard circulation coin
面值 Tertarteron (1/4)
货币 Second Solidus Nomisma (720-1092)
材质 Gold
重量 4 g
直径 18 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向
雕刻师
流通至
参考资料 BCV#1838
正面描述 Bust of Christ, nimbate with two pellets in each arm of cross, holding Gospels, dividing legend.
正面文字 Greek
正面铭文 IC XC
背面描述 Crowned bust of empress holding jewelled scepter and globus cruciger.
背面文字 Greek
背面铭文 + ΘEO­W AVGOVC
边缘
铸币厂
铸造量 ND (1055-1056) - -
Numisquare 编号 1923160750
附加信息

Historical Context: This Tetarteron Nomisma was issued during Empress Theodora's sole reign (1055-1056), a brief return to female imperial authority in the Byzantine Empire. Theodora, the last Macedonian dynasty ruler, faced significant political instability and economic pressures. Her ascension aimed to stabilize the throne, but her advanced age and lack of an heir created succession issues. The tetarteron's issuance reflects the ongoing debasement of Byzantine gold coinage during this turbulent mid-11th century period.

Artistry: The coin's design exemplifies the mid-11th century Constantinopolitan artistic style, characterized by hieratic and rigid portrayal. The obverse typically features Christ Pantokrator enthroned, rendered with a frontal gaze and stylized drapery. The reverse depicts Empress Theodora standing, often holding a labarum and globus cruciger. Anonymous engravers adhered to established iconographic traditions, emphasizing divine sanction of imperial rule through Christ and the Empress. Artistry, though not always finely detailed, effectively conveys imperial majesty.

Technical/Grading: Struck in gold, this tetarteron weighs approximately 4 grams and measures 18 millimeters. High points for wear and strike quality typically include Christ's facial features, halo, and knees, and Theodora's crown, face, and imperial garment folds. As with many tetartera, strikes can be irregular or off-center, leading to partial legends or flattened details, particularly on the peripheries. The flan may also exhibit slight irregularities. Well-preserved examples still offer clear details of the imperial portraiture and religious iconography.

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