Tetarteron Nomisma - Theodora

発行体 Byzantine Empire (Byzantine states)
年号 1055-1056
種類 Standard circulation coin
額面 Tertarteron (1/4)
通貨 Second Solidus Nomisma (720-1092)
材質 Gold
重量 4 g
直径 18 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 BCV#1838
表面の説明 Bust of Christ, nimbate with two pellets in each arm of cross, holding Gospels, dividing legend.
表面の文字体系 Greek
表面の銘文 IC XC
裏面の説明 Crowned bust of empress holding jewelled scepter and globus cruciger.
裏面の文字体系 Greek
裏面の銘文 + ΘEO­W AVGOVC
鋳造所
鋳造数 ND (1055-1056) - -
Numisquare ID 1923160750
追加情報

Historical Context: This Tetarteron Nomisma was issued during Empress Theodora's sole reign (1055-1056), a brief return to female imperial authority in the Byzantine Empire. Theodora, the last Macedonian dynasty ruler, faced significant political instability and economic pressures. Her ascension aimed to stabilize the throne, but her advanced age and lack of an heir created succession issues. The tetarteron's issuance reflects the ongoing debasement of Byzantine gold coinage during this turbulent mid-11th century period.

Artistry: The coin's design exemplifies the mid-11th century Constantinopolitan artistic style, characterized by hieratic and rigid portrayal. The obverse typically features Christ Pantokrator enthroned, rendered with a frontal gaze and stylized drapery. The reverse depicts Empress Theodora standing, often holding a labarum and globus cruciger. Anonymous engravers adhered to established iconographic traditions, emphasizing divine sanction of imperial rule through Christ and the Empress. Artistry, though not always finely detailed, effectively conveys imperial majesty.

Technical/Grading: Struck in gold, this tetarteron weighs approximately 4 grams and measures 18 millimeters. High points for wear and strike quality typically include Christ's facial features, halo, and knees, and Theodora's crown, face, and imperial garment folds. As with many tetartera, strikes can be irregular or off-center, leading to partial legends or flattened details, particularly on the peripheries. The flan may also exhibit slight irregularities. Well-preserved examples still offer clear details of the imperial portraiture and religious iconography.

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