Katalog
| Emitent | Salerno, Principality of |
|---|---|
| Rok | 999-1027 |
| Typ | Standard circulation coin |
| Hodnota | 1 Tarì = 1/4 Solidus |
| Měna | Solidus (839-1077) |
| Složení | Gold |
| Hmotnost | 0.97 g |
| Průměr | 16 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference |
| Popis líce | Dot in circle surrounded by two layers of pseudo-Kufic legend. |
|---|---|
| Písmo líce | Arabic (kufic) |
| Opis líce |
لا إله إلا الله ، محمد هو رسول الله وعلي هو أفضل وكلاء الله وخير أحسن الرسل (Translation: No god but God, Muhammad is the messenger of God and Ali is the most excellent of God’s agents and the vizier of the best of the messengers.) |
| Popis rubu | Dot in circle surrounded by two layers of pseudo-Kufic legend. |
| Písmo rubu | Arabic (kufic) |
| Opis rubu |
الشخص الذي تمجد دين الله ، أمير المؤمنين يستدعي الإمام معاد أن يدعي وحدة الله الأزلية (Translation: The one who exalts the religion of God, Commander of the Faithful. The Imam Ma’add summons to profess the eternal unity of God.) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (999-1027) - - |
| ID Numisquare | 2139060380 |
| Další informace |
Historical Context: This Tarì was issued by Guaimar III, Prince of Salerno, during his extensive reign (999-1027). Salerno was a preeminent Lombard principality in Southern Italy, a vital maritime power navigating complex geopolitics between Byzantine influence and emerging Norman power. The Tarì, a gold coin derived from the Byzantine nomisma, served as the primary international trade currency across the Mediterranean, underpinning Salerno’s economic prosperity and political autonomy during Guaimar III’s tenure, a period often considered the principality's zenith.
Artistry: The anonymous engravers of Salerno produced coinage reflecting prevailing Southern Italian stylistic traditions, heavily influenced by Byzantine prototypes. While individual engraver names are unrecorded, the artistry typically features simplified, schematic designs necessitated by the small flan. Common motifs for Guaimar III’s Tarì include a prominent cross, often patriarchal, sometimes accompanied by a ruler’s monogram or brief Latin inscription. The aesthetic emphasizes symbolic clarity over naturalistic representation, characteristic of early medieval numismatic art.
Technical/Grading: The technical execution of these small gold Tarì often presents challenges for modern grading. High-points for wear typically include the central elements of the cross and any surrounding lettering. Strikes are frequently off-center or uneven, resulting in incomplete legends or design elements, especially towards the flan’s edge. Flan shapes are often irregular. Despite these technical variations inherent to early medieval hand-striking, well-preserved examples with strong central strikes and legible inscriptions are highly prized for their historical significance.