| 発行体 | Timurid Empire |
|---|---|
| 年号 | 1469-1506 |
| 種類 | Standard circulation coin |
| 額面 | 1 Tanka |
| 通貨 | Tanka (1370-1507) |
| 材質 | Silver |
| 重量 | 4.66 g |
| 直径 | 25 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Mitch WI#1965 |
| 表面の説明 | |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 |
In central cartouche: `bih bud harat` Field: `al-sultan al-a’zam / abu’l-ghazi husayn sultan / bahadur khallada allah ta’ala mulkahu / wa sultanahu, unread date or the three-circle Timurid tamgha (seal)` (Translation: In central cartouche: “prosperity (referring to the coin) Harat` Field: “the Supreme Sultan, Abu’l-Ghazi Husayn Sultan the Brave, may God the most high protect his sovereignty and sultanate” unread date or the three-circle Timurid tamgha`) |
| 裏面の説明 | |
| 裏面の文字体系 | |
| 裏面の銘文 |
In central quatrefoil: `la ilah illa allah / muhammad rasul allah` In marginal cartouches: `aba bakr al-sadiq, ‘umar al-faruq, ‘uthman al-‘affan, ‘ali al-murtada` (Translation: In central quatrefoil: “no god but God, Muhammad is the messenger of God” In marginal cartouches: The names of the four “Rightly Guided” Caliphs with their epithets, “Abu Bakr the faithful, ‘Umar who distinguishes truth from falsehood, ‘Uthman the Defender, ‘Ali the chosen one”.) |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (1469-1506) - 873-911AH (3rd Reign) - |
| Numisquare ID | 1862075820 |
| 追加情報 |
Historical Context: This silver Tanka, known as a 'Shahrukhi', was issued by Husain Ibn Baiqara, the last great Timurid ruler of Herat, during his reign from 1469 to 1506. His era marked the zenith of the Timurid Renaissance, a period of unparalleled cultural and artistic flourishing centered in Herat. The 'Shahrukhi' denomination continued the established monetary standard set by Shahrukh, underscoring a link to the dynasty's earlier prestige amidst increasing regional fragmentation.
Artistry: The coin's design exemplifies the sophisticated calligraphic tradition prevalent in Timurid numismatics, particularly from the renowned Herat mint. While specific engravers are anonymous, the stylistic school is characterized by elegant Naskh or Thuluth scripts