カタログ
| 発行体 | Lippe |
|---|---|
| 年号 | 1229-1265 |
| 種類 | Standard circulation coin |
| 額面 | 1 Sterling |
| 通貨 | Pfennig |
| 材質 | Silver |
| 重量 | 1.05 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Slg. Weweler#32 |
| 表面の説明 | Facing bust wearing flower crown with three rosettes. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
BERNHARTD (Translation: Bernard.) |
| 裏面の説明 | Shielded arms with rose roof with two towers above. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
B*LOMENBRCH (Translation: Blomberg.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1229-1265) - - |
| Numisquare ID | 3323354800 |
| 追加情報 |
Historical Context: This sterling, issued by Lippe under Bernard III (1229-1265), reflects a period of regional consolidation within the Holy Roman Empire. Bernard III, Lord of Lippe, expanded his territory, establishing Blomberg as a key minting center. The coin’s "sterling" designation signifies adherence to the trusted English sterling standard, a common practice among continental rulers. This imitation fostered trade and economic stability, reflecting Lippe’s participation in broader European monetary trends of the High Middle Ages.
Artistry: The engraver of this sterling remains anonymous, typical for medieval coinage. Stylistically, it belongs to the early Gothic period, exhibiting characteristics of prevalent short cross sterling imitations. The design likely features a stylized bust or central motif on the obverse, often abstracted, paired with a prominent short cross on the reverse, frequently accompanied by pellets or stars. Such simplified, robust designs were easily recognizable, facilitating their acceptance in regional commerce and embodying the functional aesthetic of the era.
Technical/Grading: This silver sterling, weighing 1.05 grams, typically presents with a small, irregular flan. High-points of the design, such as central elements of the bust or cross, are often susceptible to weak striking, leading to partial visibility or flatness. Legends, if present, are frequently off-center or incomplete, common characteristics of medieval minting. Expect variations in strike pressure, resulting in uneven relief. A well-preserved example exhibits clear central devices and legible portions of inscription.