Stater

発行体 Kroton
年号 530 BC - 500 BC
種類 Standard circulation coin
額面 Silver Stater (3)
通貨 Drachm
材質 Silver
重量 8.86 g
直径 28 mm
厚さ
形状 Round (irregular)
製造技法 Hammered, Incuse
向き
彫刻師
流通終了年
参考文献 HN Italy#2075, Jameson#1879, SNG ANS 3#234, SNG Lloyd#591, SNG Lockett#597
表面の説明 Tripod, with legs ending in lion’s paws, and with three handles and snakes rising from the bowl, on dotted exergual line; ϘΡΟ to left upward
表面の文字体系 Greek
表面の銘文 ϘΡΟ
裏面の説明 Same type, but incuse; rayed border
裏面の文字体系
裏面の銘文
鋳造所
鋳造数 ND (530 BC - 500 BC) - -
Numisquare ID 8406267790
追加情報

Historical Context: This silver stater was issued by Kroton, a prominent Achaean Greek colony in Magna Graecia, during the Archaic period, specifically between 530 and 500 BC. This era marked a zenith for Kroton, a city renowned for its athletic prowess, exemplified by Milo of Croton, and its intellectual significance as home to Pythagoras and his philosophical school. The production of such substantial silver coinage underscores Kroton's considerable economic power and political influence within the region, particularly prior to its decisive victory over Sybaris.

Artistry: The coin’s design is characteristic of early Archaic Greek numismatics from Magna Graecia. The obverse prominently features the tripod of Apollo, the city’s patron deity, rendered with a sturdy, geometric precision typical of the period. While no specific engraver’s name is preserved from this early date, the style reflects the prevailing artistic school that emphasized symbolic clarity and robust form over naturalistic detail. The reverse employs the distinctive incuse fabric, mirroring the obverse design in negative relief—a unique local innovation likely serving both as a security measure and facilitating stacking.

Technical/Grading: From a technical perspective, the high-points for wear and strike quality on this type typically include the rim of the tripod’s cauldron and the top sections of its legs. A well-struck example will exhibit sharp definition on both the obverse relief and the incuse reverse, with the latter faithfully reproducing the obverse’s details. While early issues can show minor variations in centering, a strong, full strike across the broad, relatively thin flan is highly prized, indicating careful production techniques despite the challenges of the incuse method.

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