Catalog
| Issuer | Knossos (Crete (ancient)) |
|---|---|
| Year | 360 BC - 330 BC |
| Type | Standard circulation coin |
| Value | Silver Stater (3) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 9.88 g |
| Diameter | 27 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | Wreathed head of Demeter left. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Zeus enthroned left, holding sceptre. All within meander pattern. |
| Reverse script | Greek |
| Reverse lettering | ΚΝΩΣΙΟΝ |
| Edge | |
| Mint | |
| Mintage |
ND (360 BC - 330 BC) - - |
| Numisquare ID | 5442071460 |
| Additional information |
Historical Context: This silver stater, struck by the ancient city-state of Knossos on Crete between 360 and 330 BC, marks a period of significant economic and political autonomy. During the Late Classical era, Knossos maintained its status as a prominent island power, leveraging its rich mythological heritage and agricultural resources. These civic issues reflect the prosperity of the Knossian polis, participating in broader Mediterranean trade and asserting its identity through distinct iconography, underscoring its enduring influence.
Artistry: Executed in the refined Late Classical Greek style, this stater exemplifies the sophisticated numismatic art of the period. While the engraver remains anonymous, the design typically features a finely rendered head on the obverse, often a deity like Hera or Demeter, characterized by delicate features. The reverse is famously dominated by the iconic Knossian Labyrinth, a square maze pattern, directly referencing the city's legendary connection to King Minos and the Minotaur, a powerful symbol of its unique ancient heritage.
Technical/Grading: Weighing 9.88 grams and measuring 27 millimeters, this silver stater adheres to the established monetary standards. For optimal grading, collectors seek a well-centered strike, ensuring full detail on both the obverse portrait and the intricate Labyrinth. High-points on the obverse typically include the hair and facial features; on the reverse, the raised lines of the maze are crucial. A strong strike reveals crispness in these areas, with minimal die wear, an even flan, and ideally, original surfaces with attractive cabinet toning.