Katalog
| Emitent | Arados |
|---|---|
| Rok | 348 BC - 338 BC |
| Typ | Standard circulation coin |
| Hodnota | Silver Stater (3) |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 10.61 g |
| Průměr | 18.0 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered, Incuse |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | Betlyon#26, Sunrise#114, HGC 10#33 |
| Popis líce | Head of marine deity right, wearing laurel wreath. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Galley right; MAN (in Phoenician) above, waves below; all in dotted square within incuse square. |
| Písmo rubu | Phoenician |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
ND (348 BC - 338 BC) - - |
| ID Numisquare | 4993487880 |
| Další informace |
Historical Context: This silver stater was issued by Arados, a prominent Phoenician island city-state, between 348 and 338 BC. Operating under Achaemenid Persian suzerainty, Arados maintained significant autonomy, including the right to mint its own coinage. The issuance of this substantial silver denomination underscores Arados's thriving maritime economy and its crucial role as a major trading hub and naval power in the eastern Mediterranean, facilitating commerce across the Levant during the late Achaemenid era.
Artistry: While specific engravers remain anonymous, the artistic style reflects a blend of indigenous Phoenician iconography with discernible Late Classical Greek influences. Aradian staters of this period typically feature designs emphasizing the city's maritime identity. The obverse commonly depicts a powerful galley, symbolizing Arados's naval strength and commercial prowess. The reverse often complements this with a local deity or significant symbol, executed with a robust, albeit sometimes simplified, aesthetic characteristic of Phoenician mints adapting Hellenic artistic conventions.
Technical/Grading: Struck on a compact, relatively thick silver flan weighing 10.61 grams and measuring 18.0 millimeters, this stater adheres to the Phoenician weight standard. High-points for a galley design include the mast, rigging, and intricate details of the prow or stern. For a deity, these would be the facial features and drapery. Exemplary strikes will exhibit full details on both sides, with minimal off-centering and strong metal flow, though minor weaknesses or die wear are typical of ancient hand-striking methods.