目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Helmeted head of Athena facing left, portrayed in fine three-quarter relief with curling locks of hair escaping from beneath a Corinthian helmet pushed back on the head, the cheek guards raised. The goddess's facial features are rendered with sensitive classical artistry, reflecting the high craftsmanship of the Corinthian mint in the mid-fourth to early third century BC. To the right of the neck, a cuirass is depicted as a secondary control symbol. The magistrate's monogram AΛ appears in the field to the right of the portrait, identifying the issuing authority responsible for this emission. |
| 背面文字 | Greek |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Corinthian staters of this period circulated far beyond the Greek mainland — they were accepted currency across much of the western Mediterranean and into the Adriatic colonies, making them among the most widely traveled silver coins of the 4th century. Corinth's commercial reach through its colonies at Syracuse, Leucas, and Ambracia meant local imitations proliferated across northwestern Greece and Sicily, some nearly indistinguishable from metropolitan issues without die analysis.
The BCD Corinth#120 var. attribution signals a die combination not precisely matched in the BCD corpus — worth investigating against Ravel's die study, which remains the foundational reference for sorting metropolitan from colonial production.