Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

Stater

Uitgever Corinth
Jaar 350 BC - 285 BC
Type Standard circulation coin
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Helmeted head of Athena facing left, portrayed in fine three-quarter relief with curling locks of hair escaping from beneath a Corinthian helmet pushed back on the head, the cheek guards raised. The goddess's facial features are rendered with sensitive classical artistry, reflecting the high craftsmanship of the Corinthian mint in the mid-fourth to early third century BC. To the right of the neck, a cuirass is depicted as a secondary control symbol. The magistrate's monogram AΛ appears in the field to the right of the portrait, identifying the issuing authority responsible for this emission.
Schrift keerzijde Greek
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Corinthian staters of this period circulated far beyond the Greek mainland — they were accepted currency across much of the western Mediterranean and into the Adriatic colonies, making them among the most widely traveled silver coins of the 4th century. Corinth's commercial reach through its colonies at Syracuse, Leucas, and Ambracia meant local imitations proliferated across northwestern Greece and Sicily, some nearly indistinguishable from metropolitan issues without die analysis.

The BCD Corinth#120 var. attribution signals a die combination not precisely matched in the BCD corpus — worth investigating against Ravel's die study, which remains the foundational reference for sorting metropolitan from colonial production.

MISSCHIEN OOK INTERESSANT