Katalog
| Emitent | Knossos |
|---|---|
| Rok | 320 BC - 270 BC |
| Typ | Standard circulation coin |
| Hodnota | Silver Stater (3) |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 11.08 g |
| Průměr | 26 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | SvoronosCr#27 , SNG Copenhagen#369 , BMC Greek#5-6 |
| Popis líce | Wreathed female (Demeter or Persephone) head to right. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | The Labyrinth of King Minos in maeander pattern; star within centre. |
| Písmo rubu | |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
ND (320 BC - 270 BC) - - |
| ID Numisquare | 1471198320 |
| Další informace |
Historical Context: This silver stater, issued by Knossos between 320 BC and 270 BC, reflects a pivotal era in Greek history. Following Alexander the Great, the Hellenistic period saw city-states like Knossos on Crete assert autonomy amidst political upheaval. This coinage served as a vital economic instrument and a powerful symbol of the city's independence and deep cultural identity, rooted in its Minoan past and rich mythology, amidst profound Mediterranean changes.
Artistry: The coin's design exemplifies the refined numismatic art of the late Classical to early Hellenistic period. The obverse typically features a majestic, veiled head of Hera, often with a stephane, rendered with sophisticated naturalism and idealized beauty. Her serene expression and intricate hair attest to anonymous civic engravers' skill. The reverse proudly displays the iconic Labyrinth, a complex geometric pattern referencing Knossos's legendary mythological heritage, a powerful civic emblem.
Technical/Grading: Struck in silver, weighing 11.08 grams and measuring 26 millimeters, this stater adheres to a regional standard, indicating Knossos's economic stability. High-points for assessment include Hera's coiffure, veil folds, and nose on the obverse. On the reverse, the sharpness and completeness of the Labyrinth's geometric lines, particularly central elements, are paramount. A well-struck example exhibits full detail on both sides, with minimal die wear and good centering, preserving the dies' artistry.