Katalog
| Emittent | Knossos |
|---|---|
| Jahr | 320 BC - 270 BC |
| Typ | Standard circulation coin |
| Nennwert | Silver Stater (3) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 11.08 g |
| Durchmesser | 26 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | SvoronosCr#27 , SNG Copenhagen#369 , BMC Greek#5-6 |
| Aversbeschreibung | Wreathed female (Demeter or Persephone) head to right. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | The Labyrinth of King Minos in maeander pattern; star within centre. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (320 BC - 270 BC) - - |
| Numisquare-ID | 1471198320 |
| Zusätzliche Informationen |
Historical Context: This silver stater, issued by Knossos between 320 BC and 270 BC, reflects a pivotal era in Greek history. Following Alexander the Great, the Hellenistic period saw city-states like Knossos on Crete assert autonomy amidst political upheaval. This coinage served as a vital economic instrument and a powerful symbol of the city's independence and deep cultural identity, rooted in its Minoan past and rich mythology, amidst profound Mediterranean changes.
Artistry: The coin's design exemplifies the refined numismatic art of the late Classical to early Hellenistic period. The obverse typically features a majestic, veiled head of Hera, often with a stephane, rendered with sophisticated naturalism and idealized beauty. Her serene expression and intricate hair attest to anonymous civic engravers' skill. The reverse proudly displays the iconic Labyrinth, a complex geometric pattern referencing Knossos's legendary mythological heritage, a powerful civic emblem.
Technical/Grading: Struck in silver, weighing 11.08 grams and measuring 26 millimeters, this stater adheres to a regional standard, indicating Knossos's economic stability. High-points for assessment include Hera's coiffure, veil folds, and nose on the obverse. On the reverse, the sharpness and completeness of the Labyrinth's geometric lines, particularly central elements, are paramount. A well-struck example exhibits full detail on both sides, with minimal die wear and good centering, preserving the dies' artistry.