Katalog
| İhraççı | Austrasia, Kingdom of |
|---|---|
| Yıl | 634-656 |
| Tür | Standard circulation coin |
| Değer | 1 Solidus |
| Para birimi | Tremissis (476-670) |
| Bileşim | Gold |
| Ağırlık | 3.76 g |
| Çap | 17 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Prou Mer#1400 , Belfort#2511 O#p. 91, 53 |
| Ön yüz açıklaması | Draped and diademed bust on the right. In front, a globule. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | SIGIBERTVS |
| Arka yüz açıklaması | Latin cross above a globe. In the field, M-Λ, X-XI. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | VICTVRIASEGI |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (634-656) - - |
| Numisquare Kimliği | 2678946670 |
| Ek bilgiler |
Historical Context: Sigebert III, King of Austrasia (634-656), presided over a significant period of Merovingian history, often characterized by the rise of powerful magnates and the gradual decentralization of royal authority. This Sou d'or, struck in Marseille, a crucial Mediterranean port city, highlights the economic vitality and strategic importance of the region. The continued issuance of gold coinage under Sigebert III, despite his traditional "roi fainéant" image, underscores the enduring prestige of gold as a medium of exchange and the mint's connection to broader Byzantine trade networks, even as it operated with considerable local autonomy.
Artistry: Merovingian gold coinage, including this Sou d'or from Marseille, embodies a distinct stylistic evolution from late Roman and Byzantine prototypes. While specific engravers remain largely anonymous, the artistic school is unmistakably Merovingian, characterized by a progressive abstraction and stylization of traditional imperial imagery. The obverse typically features a draped and diademed bust, often rendered with a linear simplicity that sacrifices classical realism for a more symbolic representation. The reverse commonly displays a cross on steps, sometimes within a wreath or flanked by monograms, reflecting the era's Christian iconography and local mint authority.
Technical/Grading: This Sou d'or, with its specifications of 3.76 grams and 17 mm, is typical for a Merovingian solidus of the period, often struck on somewhat irregular or thick flans. High points critical for grading typically include the details of the diadem, nose, and drapery on the obverse bust, and the central elements and base of the cross on the reverse. Due to the striking methods of the era, examples often exhibit variable strike quality, including off-centering, weak strikes, and die wear. Well-centered specimens with clear legends and strong definition of the principal design elements are highly prized by collectors.