Sou d'or - Sigebert III Marseille

発行体 Austrasia, Kingdom of
年号 634-656
種類 Standard circulation coin
額面 1 Solidus
通貨 Tremissis (476-670)
材質 Gold
重量 3.76 g
直径 17 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 Prou Mer#1400 , Belfort#2511 O#p. 91, 53
表面の説明 Draped and diademed bust on the right. In front, a globule.
表面の文字体系 Latin
表面の銘文 SIGIBERTVS
裏面の説明 Latin cross above a globe. In the field, M-Λ, X-XI.
裏面の文字体系 Latin
裏面の銘文 VICTVRIASEGI
鋳造所
鋳造数 ND (634-656) - -
Numisquare ID 2678946670
追加情報

Historical Context: Sigebert III, King of Austrasia (634-656), presided over a significant period of Merovingian history, often characterized by the rise of powerful magnates and the gradual decentralization of royal authority. This Sou d'or, struck in Marseille, a crucial Mediterranean port city, highlights the economic vitality and strategic importance of the region. The continued issuance of gold coinage under Sigebert III, despite his traditional "roi fainéant" image, underscores the enduring prestige of gold as a medium of exchange and the mint's connection to broader Byzantine trade networks, even as it operated with considerable local autonomy.

Artistry: Merovingian gold coinage, including this Sou d'or from Marseille, embodies a distinct stylistic evolution from late Roman and Byzantine prototypes. While specific engravers remain largely anonymous, the artistic school is unmistakably Merovingian, characterized by a progressive abstraction and stylization of traditional imperial imagery. The obverse typically features a draped and diademed bust, often rendered with a linear simplicity that sacrifices classical realism for a more symbolic representation. The reverse commonly displays a cross on steps, sometimes within a wreath or flanked by monograms, reflecting the era's Christian iconography and local mint authority.

Technical/Grading: This Sou d'or, with its specifications of 3.76 grams and 17 mm, is typical for a Merovingian solidus of the period, often struck on somewhat irregular or thick flans. High points critical for grading typically include the details of the diadem, nose, and drapery on the obverse bust, and the central elements and base of the cross on the reverse. Due to the striking methods of the era, examples often exhibit variable strike quality, including off-centering, weak strikes, and die wear. Well-centered specimens with clear legends and strong definition of the principal design elements are highly prized by collectors.

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