Katalog
| Emittent | Frankish Kingdom |
|---|---|
| Jahr | 540-548 |
| Typ | Standard circulation coin |
| Nennwert | 1 Solidus |
| Währung | Tremissis (476-670) |
| Material | Gold |
| Gewicht | 4.41 g |
| Durchmesser | 21 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Belfort#909; 913, Prou Mer#39, Chwartz#11 |
| Aversbeschreibung | Bust facing, spear on the right shoulder. The bust is helmeted, the helmet decorated with three rows of pearls, surmounted by a crest. On the left shoulder, a shield on which is represented a horse. |
|---|---|
| Aversschrift | Latin |
| Averslegende |
D N THEODEBERTVS VICTOR (Translation: Our Lord Theudebert, victorious.) |
| Reversbeschreibung | Victory standing facing, holding a long cross and a cruciger globe. Letters B and O on either side of Victory. Star in the field to the right. CONOB in the epigraph. |
| Reversschrift | Latin |
| Reverslegende |
VICTORIA AVCCCCI BO COM OB (Translation: Victory of the August. Bonn.) |
| Rand | |
| Prägestätte | |
| Auflage |
ND (540-548) - - |
| Numisquare-ID | 4009516260 |
| Zusätzliche Informationen |
Historical Context: This Solidus, issued by Theudebert I from the Bonn mint between 540 and 548 AD, represents a pivotal moment in early medieval European numismatics. Theudebert I, a powerful Merovingian king, was the first Frankish ruler to issue gold coinage in his own name, explicitly omitting the effigy of the Byzantine emperor. This act was a profound assertion of sovereignty, challenging the traditional imperial authority of Constantinople over the former Western Roman territories. His reign marked the consolidation of Frankish power in Gaul, expanding its borders and establishing an independent economic and political identity, underscored by the minting of such significant gold currency.
Artistry: The artistry of this solidus exemplifies the evolving early Merovingian style, a departure from classical Roman and Byzantine realism. While the engraver remains anonymous, typical for the era, the design reflects a distinct Frankish interpretation of imperial iconography. The obverse typically features a stylized, diademed, and draped bust of Theudebert I, often rendered with a more schematic and linear approach compared to its classical predecessors. The reverse commonly depicts a Victory or Angel standing front, holding a long cross, with legends that are frequently blundered or abbreviated, indicating a transition away from meticulous classical inscription standards towards a more symbolic representation.
Technical/Grading: This 4.41g, 21mm gold solidus generally displays characteristics typical of early medieval minting techniques. High-points prone to wear or weak strike often include the diadem and facial features of Theudebert I on the obverse, and the head, wings, and cross details of the Victory/Angel on the reverse. The strike quality can vary significantly, frequently exhibiting minor off-centering, uneven flans, and minor planchet imperfections. Blundered or partially legible legends are common, reflecting the period's minting practices. A well-struck example with clear details, particularly on the portrait and legends, is highly sought after by collectors and scholars.