Catalog
| Issuer | Cantii tribe (Celtic Britain) |
|---|---|
| Year | 1-10 |
| Type | Standard circulation coin |
| Value | Silver Unit |
| Currency | Stater |
| Composition | Silver |
| Weight | 0.89 g |
| Diameter | 13 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | Wreath (beaded cross) motif with central four-petalled flower. Pellets and rings in angles. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Griffin-like creature left, head turned back, belted on neck and belly, raised S-shaped tail. Rings around. Pellet triad behind. Pentagram under tail. Beaded border. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (1-10) - - |
| Numisquare ID | 3276995640 |
| Additional information |
Historical Context: This Silver Unit, the "Sam Pentagram," was issued by the Cantii tribe in southeastern Britain between 1-10 AD. This era marks the immediate pre-Roman conquest period, a time of significant tribal autonomy. "Sam" likely refers to a chieftain, possibly Samovillus, asserting authority. The coin's issuance signifies the Cantii's economic sophistication and adoption of coinage for local trade and tribal identity before the Roman invasion of 43 AD.
Artistry: The engraver remains anonymous, typical of Celtic issues, reflecting a tribal artistic signature. Stylistically, it belongs to the Late Celtic British school, characterized by highly stylized and abstract interpretations of traditional motifs. The defining "Pentagram" is a significant symbolic element, possibly representing spiritual beliefs, tribal affiliation, or a personal emblem. Cantian coinage often featured abstract heads or equine figures alongside such geometric devices, rendered with a distinctive, dynamic aesthetic.
Technical/Grading: Weighing 0.89 grams and measuring 13 millimeters, this silver unit represents a standard Cantian denomination. High-points for this type typically include the central features of the pentagram and surrounding design elements. Given Celtic minting practices, strikes often exhibit minor off-centering, slight flan irregularities, and varying impression strength. A well-preserved example displays clear definition of the pentagram and legible details, indicative of a strong initial strike and minimal circulation wear.