Catalog
See full images - free registration
Continue with Google - no registration!
or register with email
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
Silver Stater with wheel
| Issuer | Veneti (Gaulish tribe, Armorica) |
|---|---|
| Year | 60 BC - 50 BC |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Hammered |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Stylized male head facing right in the La Tène artistic tradition, rendered with highly schematic features; the hair is elaborately delineated in large, sweeping locks terminating in pronounced S-shaped volutes. The entire effigy is encircled by a beaded cord or dotted border, characteristic of Armorican Celtic coinage. The facial anatomy is abstracted, with the eye rendered as a prominent pellet or boss and the chin sharply defined. The composition reflects the dynamic, curvilinear decorative vocabulary typical of late Gaulish silver issues. |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | An androcephalic horse — a horse with a human head — depicted in profile facing right, with a visible bridle rendered in fine relief. Surmounting the horse, a charioteer figure grasps a staff or whip, a vestigial reference to the biga chariot scene inherited from earlier Greek prototypes. Beneath the horse, a prominent wheel motif with clearly articulated spokes occupies the lower field, serving as the principal emblem of this issue. The composition is executed in the characteristic abstract Celtic style, with subsidiary pellets and geometric fillers distributed throughout the field. The overall design exemplifies the progressive stylization of Hellenistic prototypes as adapted by Armorican Veneti die-cutters. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information | Log in to see details |