カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Hercules depicted nude, standing facing on a low rectangular base, his head turned to the right. He holds a club in his raised right hand and drapes the Nemean lion-skin over his extended left arm, iconographic attributes immediately identifying him as the deified hero. The composition is rendered in a static, frontal pose typical of Roman divine personifications on aes coinage of the Trajanic period. The senatorial authority mark S C appears in the field flanking the figure, one letter on each side. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The semis was already a dying denomination by Trajan's reign — bronze fractions had been in steep decline since the Flavians, and most issues after 98 AD saw limited production runs. Those struck in the 114–117 window fall within Trajan's final years, when military campaigns in Mesopotamia and the annexation of Armenia stretched imperial logistics and mint output alike. That the semis persisted at all into this period is itself notable.
RIC II 690 is among the scarcer of Trajan's bronze fractions in circulated grades, largely because small bronze saw the hardest use.