Semis

Emitent Iptuci
Rok 100 BC - 1 BC
Typ Standard circulation coin
Hodnota 1 Semis = 1/2 As
Měna As (1st century BC)
Složení Bronze
Hmotnost 4.3 g
Průměr 17.0 mm
Tloušťka
Tvar Round (irregular)
Technika Hammered
Orientace
Rytci
V oběhu do
Reference ACIP#937, CNH#7A
Popis líce Male head facing right.
Písmo líce
Opis líce
Popis rubu Spoked wheel with central circle. Inscription between the spokes.
Písmo rubu
Opis rubu
(Translation: IPTVCI EV)
Hrana
Mincovna
Náklad ND (100 BC - 1 BC) - -
ID Numisquare 5141953440
Další informace

Historical Context: This Semis, issued by the ancient Iberian city of Iptuci between 100 BC and 1 BC, provides vital insight into the economic landscape of Hispania during the late Roman Republic. Iptuci, likely situated in modern-day Andalusia, maintained significant local autonomy, as evidenced by its bronze coinage. The adoption of the Roman 'Semis' denomination reflects increasing Roman influence and the integration of Iberian economies into a broader Mediterranean system, while still preserving local minting authority. These issues are crucial for understanding the transition from indigenous Iberian cultures to Roman provincial administration.

Artistry: While the engraver remains anonymous, the coin exemplifies the Ibero-Roman stylistic school prevalent in this era. The obverse typically features a stylized male head, often interpreted as a local deity or hero, sometimes accompanied by a dolphin. The reverse commonly depicts a dolphin, often with Iberian script identifying the city. This blend of local iconography with Roman denominational standards showcases a unique cultural synthesis, characteristic of communities navigating the complexities of Roman expansion and cultural assimilation.

Technical/Grading: Struck in bronze, this Semis measures 17.0 mm and weighs 4.3 gg. Key high-points for wear or strike weakness on the obverse include the hair, forehead, and nose of the male head. On the reverse, the details of the dolphin’s body and fins are critical for assessing strike quality. As with many ancient bronze issues, variations in strike centering and pressure are common, leading to areas of flatness or incomplete design. A well-centered strike with strong relief on both sides would command a premium.

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