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| Emittent | Early Anglo-Saxon |
|---|---|
| Jahr | 710-760 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | 1.0-1.3 g |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Central field occupied by a large interlaced serpentine or zoomorphic device formed by two sinuous, crossing bands terminating in a spiral volute to the right and a curled tail to the lower left, with a fan-shaped or plumed element rising from the junction at the top. The design is executed in bold relief in the characteristically abstract Anglo-Saxon die-cutting style. The entire motif is contained within a beaded border of pellets encircling the flan. The field is uninscribed. The flan is irregular in outline, as typical of hammered early medieval silver coinage. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | [uninscribed] |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Series Q sceattas remain among the most geographically ambiguous of the secondary series, with no firm mint attribution despite decades of find-spot analysis. Metcalf's work placed them broadly in a Mercian or Middle Anglian orbit, though the argument rests largely on metal composition and distribution patterns rather than any documentary evidence. The variety IA-D classification tracks die-link groupings within the series — a reminder that what looks like a single type is actually a cluster of related but distinct production episodes, probably spanning multiple workshops.