| Émetteur | Correggio |
|---|---|
| Année | 1569-1580 |
| Type | Standard circulation coin |
| Valeur | 1 Quattrino |
| Devise | Scudo |
| Composition | Copper |
| Poids | 0.66 g |
| Diamètre | 16 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | |
| Orientation | Coin alignment ↑↓ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | MIR#127 |
| Description de l’avers | COMITES COR written in three lines with two lilies above and below |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers |
COM ITES COR (Translation: Count of Correggio) |
| Description du revers | Reliquary with remains of the saint |
| Écriture du revers | Latin |
| Légende du revers |
SANCTVS QVIRINVS (Translation: Saint Quirinus) |
| Tranche | |
| Atelier | |
| Tirage |
ND (1569-1580) - - |
| ID Numisquare | 1833089250 |
| Informations supplémentaires |
Historical Context: This copper Quattrino, anonymously issued under the collective authority of Counts Gerolamo, Gilberto, Camillo, and Fabrizio of Correggio between 1569 and 1580, provides a tangible link to the complex political landscape of late Renaissance Italy. Correggio, a minor but strategically located principality in Emilia-Romagna, often navigated the influence of larger regional powers. The issuance of a low-denomination copper coin like the Quattrino underscores the necessity for everyday commerce and the assertion of monetary sovereignty by the ruling family, even in an era of shared governance. Its anonymous nature on the coin itself, despite known rulers, often signifies a focus on the state's emblem rather than individual portraits for such utilitarian coinage.
Artistry: Given the coin's small dimensions (16 mm) and humble copper composition, the artistic execution aligns with the functional requirements of a fractional denomination rather than grand artistic display. While specific engravers are typically unrecorded for such issues, the stylistic school reflects the utilitarian yet symbolic approach common in Italian mints of the period. Designs would likely feature simplified heraldic devices of the Correggio family, possibly a monogram, or a basic civic emblem on the obverse, with a value mark or a cross potent on the reverse. The limited flan size necessitated a concise design, emphasizing legibility over intricate detail, characteristic of late 16th-century minor coinage.
Technical/Grading: The technical quality of this Quattrino, typical for small copper issues of the era, frequently presents challenges for collectors. High-points for wear would generally be the raised elements of any heraldry, lettering, or central iconography. Due to the often hurried production methods and the inherent malleability of copper, examples commonly exhibit weak strikes, particularly at the peripheries, and can be off-center. Planchet imperfections such as laminations or irregular shapes are also prevalent. A well-struck example, though rare, would display clear legends and full details, even if the relief itself remains shallow, indicating careful striking despite the inherent limitations of the period's minting technology.