کاتالوگ
| صادرکننده | Bishopric of Gurk (Austrian States) |
|---|---|
| سال | 1180-1200 |
| نوع | Standard circulation coin |
| ارزش | |
| واحد پول | |
| ترکیب | Silver |
| وزن | 0.96 g |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | CNA#Cq1 (E41) |
| توضیحات روی سکه | Bishop`s hip portrait from the front with crosier and book. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Church facade with a cross-studded gable and two towers. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | Plain |
| ضرابخانه | |
| تیراژ ضرب |
ND (1180-1200) - - |
| شناسه Numisquare | 5255494310 |
| اطلاعات تکمیلی |
Historical Context: This silver Pfennig, struck between 1180 and 1200, emanates from the Bishopric of Gurk, a significant ecclesiastical principality within the Austrian States and a suffragan diocese of Salzburg. While the specific issuing bishop remains unidentified on the coin, this period represents the High Middle Ages, an era of consolidating episcopal power and expanding economic autonomy for such territories. The right to mint coinage was a crucial prerogative, signifying the bishopric’s sovereignty and facilitating local commerce in Carinthia, underscoring its growing regional influence.
Artistry: The engraver of this Gurk Pfennig is, as is typical for coinage of this era, unknown. Stylistically, the coin firmly belongs to the late Romanesque tradition, characterized by its schematic and symbolic representations rather than naturalistic detail. While specific design elements are not detailed, coinage of this type often features a stylized bust of the bishop, a cross, or an architectural motif, rendered with bold, somewhat abstract lines. The design would have prioritized legibility of key symbols and legends over intricate artistic execution, reflecting the prevailing aesthetic and technical capabilities of the period.
Technical/Grading: Weighing 0.96 grams, this silver Pfennig exhibits characteristics common to early medieval coinage. Due to the rudimentary striking methods, one can anticipate an irregular flan shape, often accompanied by a weak or uneven strike. High-points, which would show wear first, typically include the top of a crown, the nose or chin of a bust, or the central elements of a cross. Off-centering is also frequently observed, where the dies did not align perfectly with the flan, resulting in incomplete legends or design elements at the periphery.