Каталог
| Эмитент | Bishopric of Gurk (Austrian States) |
|---|---|
| Год | 1200-1228 |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Silver |
| Вес | 1.11 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | CNA#Cq31 |
| Описание аверса | Bishop`s breastplate holding a dome flanked by two towers, surmounted by a six-pointed star. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Seated figure with lily scepter. |
| Письменность реверса | Latin |
| Надписи реверса | OSCIS |
| Гурт | Plain |
| Монетный двор | |
| Тираж |
ND (1200-1228) - - |
| ID Numisquare | 3369132400 |
| Дополнительная информация |
Historical Context: This Pfennig, struck between 1200 and 1228, originates from the Bishopric of Gurk, an important ecclesiastical territory within the Austrian States, then part of the Holy Roman Empire. While the specific issuing bishop remains unknown, this period marks the High Middle Ages, characterized by the consolidation of feudal power and the increasing economic influence of major bishoprics. Gurk's right to mint coinage underscored its growing sovereignty and provided essential currency for local commerce and tribute within its dominion.
Artistry: The engraver of this coin is anonymous, typical for early 13th-century mints. Stylistically, it reflects the prevailing Romanesque-to-early-Gothic transition common in Central European numismatics. Designs from Gurk Pfennigs of this era often feature a highly stylized bust of the bishop or a prominent ecclesiastical symbol, such as a cross or a mitre, rendered with symbolic rather than realistic detail. The execution is often robust, prioritizing legibility of key elements over intricate embellishment, a hallmark of medieval functional coinage.
Technical/Grading: Weighing 1.11 grams of silver, this hammered Pfennig typically exhibits the characteristic manufacturing irregularities of its period. High-points, such as the central bust or cross, are frequently the first areas to show wear or a weak strike. Flan shapes are often irregular, and strikes can be off-center, reflecting the manual production process. Die wear is common, leading to variations in detail clarity. Assessing these coins requires understanding their intrinsic medieval production qualities rather than modern minting standards.