Catálogo
| Emisor | Bishopric of Gurk (Austrian States) |
|---|---|
| Año | 1200 |
| Tipo | Standard circulation coin |
| Valor | |
| Moneda | |
| Composición | Silver |
| Peso | 0.83 g |
| Diámetro | 16 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | Variable alignment ↺ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | CNA#Cq1 (E47) |
| Descripción del anverso | Bust of a bishop with crosier and book. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Church gable with two towers, cross above, four rings below, double circle of pearls. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | Plain |
| Casa de moneda | |
| Tirada |
ND (1200) - - |
| ID de Numisquare | 3176897520 |
| Información adicional |
Historical Context: This silver Pfennig, struck circa 1200, emanates from the powerful Bishopric of Gurk, a significant ecclesiastical principality within the Austrian States. While attributed to an "unknown ruler," numismatic research places its issuance under Bishop Heinrich I (1199-1214). During the High Middle Ages, Gurk exercised considerable temporal authority in Carinthia. The minting of coinage, a crucial regalian right, underscored the bishopric's economic autonomy and political standing, reflecting its importance in regional trade.
Artistry: The anonymous engraver worked within the prevailing Romanesque stylistic school, characterized by robust, often hieratic, and less naturalistic representations. Common for early 13th-century coinage, the design likely features a stylized bust of the bishop, adorned with a mitre, symbolizing his spiritual and temporal authority. The reverse typically presented a cross or architectural element, reinforcing the ecclesiastical nature of the issuer. The artistic execution conveys the solemnity and power of the episcopal office.
Technical/Grading: Weighing 0.83 grams and measuring 16 millimeters, this silver Pfennig is typical of diminutive medieval coinage. Technical strike qualities often vary significantly due to manual production; expect potential for off-center strikes, irregular flans, and areas of weakness. Key high-points, such as the bishop's mitre, facial features, or central reverse elements, are susceptible to wear or incomplete striking. Collectors should prioritize examples exhibiting clear legends and well-defined central motifs.