Katalog
| Emittent | Bishopric of Gurk (Austrian States) |
|---|---|
| Jahr | 1200 |
| Typ | Standard circulation coin |
| Nennwert | |
| Währung | |
| Material | Silver |
| Gewicht | 0.83 g |
| Durchmesser | 16 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | CNA#Cq1 (E47) |
| Aversbeschreibung | Bust of a bishop with crosier and book. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Church gable with two towers, cross above, four rings below, double circle of pearls. |
| Reversschrift | |
| Reverslegende | |
| Rand | Plain |
| Prägestätte | |
| Auflage |
ND (1200) - - |
| Numisquare-ID | 3176897520 |
| Zusätzliche Informationen |
Historical Context: This silver Pfennig, struck circa 1200, emanates from the powerful Bishopric of Gurk, a significant ecclesiastical principality within the Austrian States. While attributed to an "unknown ruler," numismatic research places its issuance under Bishop Heinrich I (1199-1214). During the High Middle Ages, Gurk exercised considerable temporal authority in Carinthia. The minting of coinage, a crucial regalian right, underscored the bishopric's economic autonomy and political standing, reflecting its importance in regional trade.
Artistry: The anonymous engraver worked within the prevailing Romanesque stylistic school, characterized by robust, often hieratic, and less naturalistic representations. Common for early 13th-century coinage, the design likely features a stylized bust of the bishop, adorned with a mitre, symbolizing his spiritual and temporal authority. The reverse typically presented a cross or architectural element, reinforcing the ecclesiastical nature of the issuer. The artistic execution conveys the solemnity and power of the episcopal office.
Technical/Grading: Weighing 0.83 grams and measuring 16 millimeters, this silver Pfennig is typical of diminutive medieval coinage. Technical strike qualities often vary significantly due to manual production; expect potential for off-center strikes, irregular flans, and areas of weakness. Key high-points, such as the bishop's mitre, facial features, or central reverse elements, are susceptible to wear or incomplete striking. Collectors should prioritize examples exhibiting clear legends and well-defined central motifs.