カタログ
| 発行体 | Psophis |
|---|---|
| 年号 | 450 BC - 420 BC |
| 種類 | Standard circulation coin |
| 額面 | Obol (⅙) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 0.90 g |
| 直径 | 11.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Peloponnesos#1680 |
| 表面の説明 | Forepart of the Keryneian Hind facing right |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Fish facing right, letter Ψ (of local form) below, O above. All within incuse square |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (450 BC - 420 BC) - - |
| Numisquare ID | 9329068560 |
| 追加情報 |
Historical Context: This silver obol was issued by the city-state of Psophis in Arcadia, Peloponnesos, during the period of 450 BC to 420 BC. Situated in a strategically important region, Psophis, like many Arcadian poleis, navigated complex alliances and conflicts, most notably the Peloponnesian War. The issuance of its own coinage, even in small denominations like this obol, underscored its civic autonomy and facilitated local commerce and participation in the wider Greek economy. This era marks a significant transition from the Archaic to the Early Classical period, influencing both political structures and artistic expression across the Hellenic world.
Artistry: While the specific engraver remains anonymous, typical for small denominations of this period, the coin's artistry aligns with the Early Classical Greek stylistic school. Designs for Psophian obols often featured a local nymph or the god Pan, a prominent Arcadian deity, on the obverse, rendered with a nascent naturalism. The reverse commonly depicted an animal such as a goat or ram, or a civic emblem, executed with compact detail to fit the diminutive 11.0 mmmm flan. The style reflects the evolving artistic sensibilities of the Peloponnesos, moving towards greater anatomical accuracy and expressive depth.
Technical/Grading: This diminutive silver obol, weighing 0.90 gg and measuring 11.0 mmmm, often exhibits characteristics typical of hand-struck coinage from this era. High points, such as the hair details of a deity or the musculature of an animal, are frequently susceptible to weak strike or minor planchet flaws. Centering can vary significantly, occasionally leading to partial loss of the design or any peripheral legend. Collectors evaluating this piece would prioritize a strong, well-centered strike that preserves the key elements of the primary motifs, despite the inherent challenges of striking such a small module.