Catalogue
| Émetteur | Itanos |
|---|---|
| Année | 350 BC - 320 BC |
| Type | Standard circulation coin |
| Valeur | Obol (⅙) |
| Devise | Drachm |
| Composition | Silver |
| Poids | 0.88 g |
| Diamètre | 11 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | SvoronosCr#11, SvoronosCr#12 |
| Description de l’avers | The sea god Glaucus with a fish tail and beard, holding a trident. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Star surrounded by 14 rays. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (350 BC - 320 BC) - - |
| ID Numisquare | 5896026090 |
| Informations supplémentaires |
Historical Context: This silver obol, issued by the ancient Cretan city-state of Itanos between 350 and 320 BC, places it within the Late Classical to Early Hellenistic period. Itanos, strategically located on Crete's eastern tip, was a significant independent polis with a strong maritime presence. The issuance of its own coinage, particularly small denominations like the obol, underscores its economic vitality and civic autonomy amidst the broader political shifts of the Greek world. These coins facilitated daily commerce and served as a tangible assertion of Itanian sovereignty and identity.
Artistry: While the specific engraver of this diminutive coin remains anonymous, its design reflects prevalent stylistic trends of Late Classical Greek numismatic art. Cretan mints often combined broader Hellenic influences with distinctive local iconography. Itanos, a coastal city, frequently employed marine motifs, such as a sea-eagle or a dolphin, on its coinage, symbolizing its naval power and connection to the sea. The rendering, though on a small scale, aimed for naturalism and expressive detail characteristic of the era, conveying the city's unique identity through its chosen emblems.
Technical/Grading: Weighing 0.88 grams and measuring 11 millimeters, this obol is a challenging piece to strike perfectly. High-points of the design, such as a deity's hair or an eagle's wingtips, are typically the first areas to show wear from circulation. Due to the small flan size, minor off-centering and incomplete strikes are common technical characteristics for such issues. A well-struck example exhibits sharp details, particularly on the primary motifs, with good metal quality and minimal surface imperfections, making it a desirable specimen.