کاتالوگ
| صادرکننده | Perrhaiboi |
|---|---|
| سال | 450 BC - 430 BC |
| نوع | Standard circulation coin |
| ارزش | Obol (⅙) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 0.86 g |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered, Incuse |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | BCD Thessaly I#1242, SNG Copenhagen#195 |
| توضیحات روی سکه | Bridled horse with trailing rein cantering to left |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Athena Itonia running to right, holding spear and shield. All within shallow incuse square |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | Π Ε Ρ Α |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (450 BC - 430 BC) - - |
| شناسه Numisquare | 4113846830 |
| اطلاعات تکمیلی |
Historical Context: This silver obol, issued by the Perrhaiboi between 450 and 430 BC, emerges from a period of dynamic political and economic activity in ancient Thessaly. The Perrhaiboi were a confederation of tribes or cities in northern Thessaly, maintaining a degree of autonomy despite the influence of larger regional powers. The issuance of coinage, particularly small denominations like the obol, underscores their participation in a monetized economy and their need for local currency to facilitate daily transactions, reflecting a stable civic administration during the early Classical Greek era.
Artistry: While no specific engraver is attributed to this diminutive piece, its artistry belongs to the Early Classical Greek stylistic school. Designs on Perrhaibian coinage often featured a horse, a motif emblematic of Thessaly's renowned cavalry and equestrian culture. For an obol, the obverse typically depicts a compact, spirited horse's forepart, sometimes prancing, executed with a blend of naturalism and the stylized conventions necessary for such a small flan. The reverse often features a simpler device or ethnic abbreviation, characteristic of the period's smaller issues.
Technical/Grading: Weighing 0.86 grams, this silver obol typically exhibits characteristics common to small ancient denominations. Key high-points for wear or strike weakness on a horse motif would include the horse's head, mane, and the definition of its foreleg musculature. Technical strike qualities often show variability; centering can be off-flan, and the strike pressure might not always bring up all design elements fully, particularly on the reverse. Planchet preparation could also be less refined than on larger, more prestigious issues.