Obol

Emisor Rubi
Año 325 BC - 275 BC
Tipo Standard circulation coin
Valor Obol (⅙)
Moneda Drachm
Composición Silver
Peso 0.55 g
Diámetro 9 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) HN Italy#810 , SNG ANS 1#722 , SNG France#1383 , Weber#467
Descripción del anverso Amphora; in left field, cornucopia and in right, oinochoe.
Escritura del anverso Greek
Leyenda del anverso Δ A
Descripción del reverso Lyre.
Escritura del reverso Greek
Leyenda del reverso Ρ Υ
Canto
Casa de moneda
Tirada ND (325 BC - 275 BC) - -
ID de Numisquare 2622631240
Información adicional

Historical Context: This silver Obol, minted by the ancient Peucetian city of Rubi in Apulia between 325 and 275 BC, originates from a pivotal era in Magna Graecia. This period, transitioning from Late Classical to early Hellenistic, saw Rubi maintaining significant civic autonomy amidst growing Roman influence. As a fractional denomination, the Obol was fundamental for daily commerce, reflecting Rubi's economic vitality and its role within regional trade networks of southern Italy.

Artistry: While the engraver remains anonymous, this Obol exemplifies the distinctive Magna Graecian stylistic school, blending Greek idealization and local iconography. The obverse typically features a finely rendered head, often depicting a deity like Herakles or Apollo, presented with remarkable detail despite the coin's diminutive size. The reverse commonly displays an agricultural symbol, such as an an ear of grain, or a civic emblem, often accompanied by the city's ethnic, executed with concise yet impactful design.

Technical/Grading: Struck on a compact 9mm flan and weighing 0.55 grams, the technical execution of this Obol often presents challenges inherent to small fractional coinage. High-points for the obverse portrait typically include the hair and facial features, while the reverse design's central elements are most susceptible to wear or incomplete strike. Variability in die alignment and strike pressure is common; well-centered examples with full details on both sides are prized, though off-center strikes are frequently encountered due to the swift production of these utilitarian pieces.

×