Æ Nummus

Emitent Venusia
Rok 210 BC - 200 BC
Typ Standard circulation coin
Nominał Nummus (1)
Waluta Nummus (circa 218-201 BC)
Skład Bronze
Waga 31.05 g
Średnica 34 mm
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) HN Italy#719 1#758 Morcom#237 Basel#65 Gr/It#19 Copenhagen#706 , Weber#484
Opis awersu Head of Dionysos right, wearing ivy wreath and earring; ligate VE to left.
Pismo awersu
Legenda awersu
Opis rewersu Dionysos seated left, holding grape bunch in right hand and filleted thyrsos in left; NI to right.
Pismo rewersu
Legenda rewersu
Krawędź
Mennica
Nakład ND (210 BC - 200 BC) - -
ID Numisquare 9492112200
Dodatkowe informacje

Historical Context: This substantial Æ Nummus from Venusia, struck 210-200 BC, is a tangible relic of the tumultuous Second Punic War. As a pivotal Roman colony in Apulia, Venusia remained steadfastly loyal, even after Cannae. The issuance of this heavy bronze denomination (31.05g, 34mm) by a local authority underscores the period's economic pressures and decentralized financial needs. This coinage facilitated local commerce and military efforts against Hannibal, highlighting Venusia's resilience and strategic importance.

Artistry: While specific engravers are anonymous, the artistry of this Nummus reflects prevailing Hellenistic stylistic traditions adapted by local Apulian workshops. The design, typical for large bronze issues, would feature a prominent deity or allegorical representation on the obverse, rendered with robust, if sometimes provincial, detail. The reverse typically presented a complementary motif, often symbolic of the city's identity or Roman allegiance. The aesthetic aimed for clarity and gravitas, conveying its message within the local economic context.

Technical/Grading: The large flan (34mm) and considerable weight (31.05g) of this Æ Nummus presented characteristic technical challenges during striking. Consequently, examples often exhibit irregular flan shapes, off-center strikes, and variable strike pressure, leading to weaker impressions on high points like a deity's hair or nose, or reverse device edges. Die wear is also common. A well-struck specimen displays a relatively centered design with strong definition on primary iconographic elements, free from significant flan defects.

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