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| Uitgever | People's Republic of China |
|---|---|
| Jaar | 2013 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 155 x 80 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central and right vignettes show Mei Lanfang in full Peking Opera costume and stage makeup, rendered in colour and intaglio-style engraving against a pale guilloche underprint. A vertical security strip bearing the initials 'MLF' and 'MUF' runs through the centre. The numeral '120' appears at upper left and lower right, with a traditional Chinese seal at lower left. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Security thread |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Mei Lanfang (1894–1961) was the foremost male practitioner of the dan role type in Peking opera — the female impersonator tradition that was central to the art form for centuries. His 1930 North American tour is credited with introducing Peking opera to Western audiences on a serious critical level, and Bertolt Brecht's theories on alienation effect are often traced in part to his encounters with Mei's performance style.
The commemorative note was issued by the People's Bank of China as part of its cultural figures series. Mei Lanfang was also honored on a 1962 stamp set, making this a rare case of a figure reaching banknote status more than fifty years after his first philatelic appearance.