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| 表面の説明 | Central and right vignettes show Mei Lanfang in full Peking Opera costume and stage makeup, rendered in colour and intaglio-style engraving against a pale guilloche underprint. A vertical security strip bearing the initials 'MLF' and 'MUF' runs through the centre. The numeral '120' appears at upper left and lower right, with a traditional Chinese seal at lower left. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Security thread |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
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Mei Lanfang (1894–1961) was the foremost male practitioner of the dan role type in Peking opera — the female impersonator tradition that was central to the art form for centuries. His 1930 North American tour is credited with introducing Peking opera to Western audiences on a serious critical level, and Bertolt Brecht's theories on alienation effect are often traced in part to his encounters with Mei's performance style.
The commemorative note was issued by the People's Bank of China as part of its cultural figures series. Mei Lanfang was also honored on a 1962 stamp set, making this a rare case of a figure reaching banknote status more than fifty years after his first philatelic appearance.