Katalog
| Emitent | Ottoman Empire |
|---|---|
| Rok | |
| Typ | Standard circulation coin |
| Nominał | |
| Waluta | Akçe (1327-1687) |
| Skład | Copper |
| Waga | 1.83 g |
| Średnica | 15 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | |
|---|---|
| Pismo awersu | |
| Legenda awersu |
MEHMED BIN MURAD HAN (Translation: MEHMED SON OF MURAD KHAN) |
| Opis rewersu | |
| Pismo rewersu | |
| Legenda rewersu |
HALLEDE MÜLKEHU DURİBE KONYA (Translation: MAY HIS REIGN BE EVERLASTING. STRUCK IN KONYA) |
| Krawędź | |
| Mennica | |
| Nakład |
ND - - |
| ID Numisquare | 3906339340 |
| Dodatkowe informacje |
Historical Context: This manghir dates to Sultan Mehmed II, Fatih (1444-46, 1451-81), a transformative Ottoman ruler. His 1453 conquest of Constantinople established the Ottomans as an imperial power. Mehmed II initiated significant monetary reforms, standardizing the akçe and introducing gold altuns. Copper manghirs, like this specimen, served as essential low-denomination currency, facilitating daily commerce across the expanding empire, reflecting the era's economic vitality and administrative centralization.
Artistry: The design reflects early Ottoman numismatic tradition, emphasizing epigraphy over elaborate figural imagery. Specific engravers are rarely known; the stylistic school prioritized clear, legible Arabic script. The obverse typically features the ruler's name and patronymic, 'Sultan Mehmed bin Murad Han', often with a mint name. The reverse usually bears a pious inscription or regnal year. The compact 15mm flan necessitated a concise design, prioritizing textual information, a hallmark of practical Ottoman coinage.
Technical/Grading: Struck on a 1.83-gram, 15mm copper flan, this manghir typically exhibits characteristics common to early Ottoman copper coinage. High-points susceptible to wear include raised calligraphic elements and outer border details. Technical strike quality varies; weak strikes, off-center striking, and irregular planchet shapes are frequently encountered due to manual production. Die wear is also common, leading to less defined details. Well-struck and well-preserved examples are highly desirable for collectors.