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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central field presents a second facing effigy of Daikoku, the god of wealth, similarly depicted in the characteristic Edo-period iconographic style with his broad kasa hat above his rounded face and flowing hair to one side. The deity is seated upon bundled rice bales (tawara) rendered in pronounced low relief across the lower register, with the mallet and associated auspicious attributes flanking the figure. The kanji character '宝' (Hō), denoting the Hōei era, is integrated into the body of the design as a mint authentication mark. The double Daikoku motif appearing on both faces is the defining feature of this specific Hōei Mitsuhō Mameitagin variety. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 宝 (Translation: Hō(ei)) |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hōei Mitsuhō Mameitagin were emergency reworkings of the disastrous Hōei coinage reform of 1706, in which the Tokugawa shogunate had debased silver currency so aggressively — dropping fineness to around 20% — that merchants refused the coins outright and commerce in several domains ground to a near halt. The Mitsuhō ("three treasures") reissue of 1710 raised fineness modestly and added certifying stamps to restore minimal confidence. The Double Daikoku counterstamp, applied by authorized money-changers, indicates the piece passed secondary verification — a private-sector workaround for a government credibility problem the shogunate never fully solved.