Catalogus
| Uitgever | Central Bank of Sevelin |
|---|---|
| Jaar | |
| Type | Pattern or trial banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 0 CENTRAL BANK OF SEVELIN 0 0 SUPER COPE SPECIMEN 0 |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Sevelin is not a sovereign state — it is a fictional nation used by KBA-NotaSys as a demonstration platform for showcasing intaglio printing, security feature integration, and substrate capabilities to central bank clients. These specimen notes are sales and training tools, not monetary instruments, and were never intended for circulation in any jurisdiction.
Renato Manfredi's engraving work for KBA-NotaSys demonstration pieces is considered among the finest in contemporary security printing. The Lord Byron subject is a recurring choice for prestige specimen production — the portrait's tonal complexity rewards intaglio more than almost any other technique.