Catalog
| Issuer | Central Bank of Sevelin |
|---|---|
| Year | |
| Type | Pattern or trial banknote |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | 0 CENTRAL BANK OF SEVELIN 0 0 SUPER COPE SPECIMEN 0 |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Sevelin is not a sovereign state — it is a fictional nation used by KBA-NotaSys as a demonstration platform for showcasing intaglio printing, security feature integration, and substrate capabilities to central bank clients. These specimen notes are sales and training tools, not monetary instruments, and were never intended for circulation in any jurisdiction.
Renato Manfredi's engraving work for KBA-NotaSys demonstration pieces is considered among the finest in contemporary security printing. The Lord Byron subject is a recurring choice for prestige specimen production — the portrait's tonal complexity rewards intaglio more than almost any other technique.