Katalog
| Emittent | Dikaia (Macedon) |
|---|---|
| Jahr | 450 BC - 420 BC |
| Typ | Standard circulation coin |
| Nennwert | Hemiobol (1⁄12) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 0.25 g |
| Durchmesser | 8 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered, Incuse |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | AMNG III#10 |
| Aversbeschreibung | Forepart of bull right; ΔΙ above. |
|---|---|
| Aversschrift | Greek |
| Averslegende |
ΔΙ (Translation: Di(kaia)) |
| Reversbeschreibung | Octopus within incuse square. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (450 BC - 420 BC) - - |
| Numisquare-ID | 9064922850 |
| Zusätzliche Informationen |
Historical Context: This silver hemiobol was issued by the city of Dikaia in Macedon between 450 BC and 420 BC, a period coinciding with the High Classical era of ancient Greece and the lead-up to the Peloponnesian War. Dikaia, an Eretrian colony situated on the Thracian coast within the Macedonian sphere of influence, was an autonomous polis reliant on trade. The issuance of fractional silver coinage, even by smaller cities, underscores the pervasive monetary economy of the Greek world and Dikaia’s participation in regional commerce, facilitating daily transactions amidst larger denominations.
Artistry: While the specific engraver remains anonymous, this hemiobol exemplifies the nascent High Classical stylistic school. The obverse typically features a finely rendered head of a nymph, often facing right, characterized by increasingly naturalistic features yet retaining a certain early classical solemnity. The reverse commonly depicts the forepart of a bull, a powerful and symbolic animal, often associated with local agriculture or deities, rendered with a degree of vitality appropriate for the small flan. The overall design reflects the city's artistic traditions and civic identity.
Technical/Grading: Measuring a mere 8mm and weighing 0.25 grams, this tiny silver denomination presents inherent challenges in strike quality. High-points for the nymph’s portrait would include the hair, forehead, and nose, while for the bull, the muzzle and shoulder. Due to the small flan size and manual striking process of the era, specimens often exhibit off-center strikes, minor flan irregularities, or areas of weakness, particularly towards the edges. A well-centered strike with clear details on both sides is highly desirable for this diminutive issue.