カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | Bare head of Melqart facing left, his hair rendered in flowing locks and covered by a lion's skin headdress, the scalp and ears of the lion clearly articulated over the crown of the head. The portrait is executed in a bold, archaic Punic style with strong facial features, and fills the flan with little remaining field. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A single tunny fish (Thunnus thynnus) depicted in profile facing right, rendered in high relief with a streamlined, fusiform body and a forked tail fin. The fish occupies the central field of the irregularly shaped flan, with a plain, unadorned field surrounding it and no legend or exergual inscription present. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Gadir — modern Cádiz — was among the oldest Phoenician trading settlements in the western Mediterranean, and its coinage served the commercial networks linking Iberia to North Africa long before Roman legions reached the peninsula. These tiny silver fractions circulated alongside the city's bronze issues during the Second Punic War, a period when Gadir initially sided with Carthage before submitting to Rome around 206 BC. The precise transition in civic authority makes attributing late issues within this date range genuinely difficult.