Catalogus
| Uitgever | Persis, Kingdom of |
|---|---|
| Jaar | 10-50 |
| Type | Standard circulation coin |
| Waarde | Hemidrachm (1/2) |
| Valuta | |
| Samenstelling | Silver |
| Gewicht | 1.90 g |
| Diameter | |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Alram#589 (Pakor I), Sunrise#616 |
| Beschrijving voorzijde | Bearded bust of Pakor II left, wearing diadem. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Bearded bust of king left, wearing diadem. |
| Schrift keerzijde | Aramaic |
| Opschrift keerzijde | |
| Rand | |
| Muntplaats | |
| Oplage |
ND (10-50) - - |
| Numisquare-ID | 7383956310 |
| Aanvullende informatie |
Historical Context: This silver hemidrachm, issued by Pakor II of the Kingdom of Persis (10-50 AD), represents a crucial period. Persis, the ancient Achaemenid homeland, maintained semi-autonomous status under Parthian suzerainty. Pakor II's reign, sometimes conflated with Pakor I in earlier scholarship (Alram#589), continued issuing coinage asserting local Persian identity and Zoroastrian heritage. His coins are vital historical documents, bridging Parthian control and later Sasanian resurgence in the region.
Artistry: The artistry reflects a blend of indigenous Persian traditions and contemporary Parthian stylistic influences. Though the engraver is unknown, the coin originates from a local minting school in Persis, likely Istakhr. The obverse features a finely rendered bust of Pakor II, often with a distinctive diadem or crown, emphasizing royal authority. The reverse typically portrays a fire altar, a central Zoroastrian symbol, often flanked by attendants, underscoring the dynasty's deep religious and cultural roots.
Technical/Grading: Struck in silver, this hemidrachm weighs 1.90 grams, consistent with denomination standards. Key high-points for wear assessment on the obverse include the ruler's nose, diadem details, and shoulder drapery. On the reverse, the fire altar flames and attendant figures' heads are critical. Technical strike quality varies; well-struck examples exhibit sharp details, good centering, and a full flan. Minor off-centering or weakness are common but do not diminish its historical significance.