目录
| 发行方 | Priene (Ionia) |
|---|---|
| 年份 | 200 BC - 1 BC |
| 类型 | Standard circulation coin |
| 面值 | Hemidrachm (1/2) |
| 货币 | Drachm |
| 材质 | Silver |
| 重量 | 2.05 g |
| 直径 | 15 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Diademed head of Zeus to right. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Tripod, ΠΡΙΗ upwards to left, ΔΙΟΚΛΗΣ upwards to right; all within maeander border. |
| 背面文字 | Greek |
| 背面铭文 | ΠΡΙΗ ΔΙΟΚΛΗΣ |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (200 BC - 1 BC) - - |
| Numisquare 编号 | 7927937850 |
| 附加信息 |
Historical Context: This Hemidrachm, bearing the name Diokles, originates from Priene, an influential Ionian city during the Hellenistic period. While the broad date range of 200 BC - 1 BC is given, such issues with named magistrates like Diokles typically fall within the earlier part, reflecting Priene's period of significant civic autonomy. This era saw Priene navigating complex regional politics, often between the Seleucid Empire and the Kingdom of Pergamon. The presence of a magistrate's name on coinage underscores the city's self-governance in minting its own currency, a crucial aspect of its identity and economic independence.
Artistry: The design of this Hemidrachm exemplifies the refined Hellenistic artistic tradition prevalent in Ionia. While the specific engraver remains anonymous, the style would have adhered to the prevailing aesthetic, characterized by a blend of idealized forms and realistic detail. Priene's coinage frequently featured local deities, such as Athena, often depicted with a helmet and flowing drapery on the obverse. The reverse typically showcased civic emblems or magistrate monograms, like that of Diokles, rendered with precision despite the coin's small flan, reflecting the skilled craftsmanship of the local die-cutters.
Technical/Grading: Struck in silver, this Hemidrachm measures 15 mm and weighs 2.05 grams, a standard weight for the denomination. For grading, key high-points to examine include the highest relief areas of the obverse portrait, such as the hair, facial features, and any helmet details. On the reverse, the clarity of the magistrate's name, civic symbols, and any surrounding border elements are critical. The strike quality, centering, and condition of the flan—often irregular on ancient issues—are paramount in assessing overall preservation and visual appeal, indicating the care taken during its production.