カタログ
| 発行体 | Stratos (Akarnania) |
|---|---|
| 年号 | 420 BC |
| 種類 | Standard circulation coin |
| 額面 | Hemidrachm (1/2) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 2.28 g |
| 直径 | 14 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Akarnania#3.1 , SNG Copenhagen#405 |
| 表面の説明 | Horned and bearded head of the river god Achelous right; below, crescent downwards. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | F in a shallow incuse square. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | F |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (-420) - - |
| Numisquare ID | 8737446360 |
| 追加情報 |
Historical Context: This silver hemidrachm, struck circa 420 BC, emanates from Stratos, the most prominent city and federal capital of Akarnania in western Greece. Its issuance falls squarely within the turbulent Peloponnesian War (431-404 BC), a period when Greek city-states navigated complex alliances and conflicts. Stratos, often allied with Athens, strategically commanded the Achelous river valley, and its coinage served as a crucial medium for local commerce and projecting civic identity amidst regional power struggles. The production of such fractional silver underscores the city's economic vitality and need for smaller denominations.
Artistry: While the specific engraver remains anonymous, this hemidrachm reflects the stylistic transition from the Early to High Classical period in Greek numismatic art. Akarnanian coinage frequently featured local deities or mythological figures, often rendered with a nascent naturalism. The obverse typically presents a finely detailed head, perhaps a river god like Achelous or a local nymph, characterized by a dignified expression and carefully arranged hair. The reverse design, often an animal or civic emblem, would exhibit a nascent three-dimensionality, moving beyond earlier rigid forms towards a more dynamic representation.
Technical/Grading: Struck on a compact silver flan weighing 2.28 grams and measuring 14 millimeters, this hemidrachm’s technical quality would be assessed by the sharpness of its high-points, particularly details in the hair, facial features, and any intricate elements of the reverse device. A well-centered strike with a full impression of both dies, minimal die wear, and a consistent metal purity would indicate a superior example. Flan irregularities, common for the period, and minor off-strikes are typical, yet a strong strike ensures the legibility and aesthetic appeal of the intricate Classical designs.