Catálogo
| Emisor | Korone (Messenia) |
|---|---|
| Año | 100 BC - 50 BC |
| Tipo | Standard circulation coin |
| Valor | Hemidrachm (1/2) |
| Moneda | Drachm |
| Composición | Silver |
| Peso | 2.46 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | BCD Peloponnesos#785, SNG Lockett#2484 |
| Descripción del anverso | Head of Athena wearing Corinthian helmet to right |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Bunch of grapes within ivy wreath |
| Escritura del reverso | Greek |
| Leyenda del reverso | Κ ΟΡ Ζ |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (100 BC - 50 BC) - - |
| ID de Numisquare | 4745331540 |
| Información adicional |
Historical Context: This silver hemidrachm was issued by Korone in Messenia, Peloponnesos, during the late Hellenistic period, approximately 100-50 BC. This era saw the gradual consolidation of Roman power across Greece. Yet, cities like Korone maintained civic autonomy, retaining the right to strike coinage for local economic circulation. These issues facilitated daily transactions and underscored the city's enduring identity amidst a political landscape increasingly dominated by the Roman Republic.
Artistry: While the engraver remains anonymous, typical for civic issues, the coin's artistry aligns with the late Hellenistic stylistic school. Designs on such hemidrachms generally featured civic iconography, often a local deity or hero on the obverse and an emblematic device or another deity on the reverse, reflecting Korone's specific cults or civic pride. The style typically blended classical tradition with a more naturalistic or standardized approach, aiming for clear, recognizable imagery within the small flan.
Technical/Grading: Struck in silver, this hemidrachm weighs 2.46 grams, consistent with the denomination's standard for Korone. For grading, key high-points to assess wear typically include the highest relief areas of the obverse portrait, such as hair details or facial features, and specific elements of the reverse design. Technical strike quality is evaluated by the sharpness and completeness of the impression, centering of the dies on the flan, and the overall integrity of the metal, reflecting the care in its production.